What made my job almost easy as a director and actor on the set of De Puta Madre A Love Story, for starters, was having an amazing cinematographer; “Bradley Stonesifer”. Bradley became an extension of my own mind, while also adding invaluable wisdom and a sharp artistic eye. On top of a detailed shot list created over 3 days with Bradley, we photo-boarded the entire movie on location which became much more illuminating than my story board sketches. I had two staged readings with anonymous audiences and was lucky enough to have extensive rehearsals with my other actor, Pierluca Arancio, over the better part of a year. Some rehearsals were filmed for my reference. I probably taped myself performing the entire movie in one shot at least 10 times over with prerecorded audio of Pierluca’s dialog. I later went over these videos with a fine tooth comb. This all allowed me to not only be so prepared as an actor that it became second nature, but also to be 100% confident, deep in my bones, of what I wanted to see from both myself and Pierluca, as well as from each shot. On the day, we all just did what was planned. The preparation gave me all the freedom I needed on set.